Although there is no one "magic potion" that will one can drink to ensure financial success in any market, a solid understanding of the industry can vastly improve one's chances. I have complied a list of a few simple facts and pointers that models should all be aware of when working in Tokyo. Afterall, we all want for everyone to leave with a fistful of yen! 
This is the biggest hurdle a model faces in Tokyo. The trial period. It's that standard clause built into all Japanese modelling contracts which requires models to book a minimum number of jobs in a particular time frame. If successful, the contract continues, if not, the contract is terminated. That's about all there is to it. Thankfully Arts C's minimum booking numbers are quite easily attainable. And this is done for a one reason, and one reason only, "We want models to stay, not go!" A lot of time, effort and money is invested into bringing promising models to Japan, the last thing we want is for it to just end in one short month. 
Which brings me back to the topic staying and going. Although Arts C's contracts are normally issued for two months, as long as the model is working well, there is absolutely no reason for us to stop booking jobs if he or she is willing to stay! The visa, first of all, is valid for 3 months, but it can also be renewed for another 3 months if a new contract is drawn up. It is certainly not uncommon for models to stick around for extended periods of time. The fact of the matter is that many models only find their "groove" or "niche" in Tokyo after about 6 weeks. The city takes a little getting used to, but once it bites ya it's becomes quite a fascinating place to live in... and very difficult to say goodbye to. (Believe me, there is a reason why I stayed as long as I did!) Working past two months (and up to six!) gives the model the chance to experience more and save more, thus making that initial investment coming over all the more worthwhile. 
Ah yes, the expenses. It is indeed true that Tokyo boasts some of the highest prices found anywhere in the known universe. Fruit, for example, can be so extremely expensive that you'd think it had special powers or something. (Maybe it does!) There are ways, however, to trim the Tokyo budget and Arts C is there to help the model to attain this. Yes, help. Unlike the far too common practice of overcharging models amongst contract agencies, Arts C behaves differently. The concept is simple one: "Lower the model's cost of living and the model's profit will increase." And this begins with accommodation. In no other department can this make such a significant difference. We have a long list of affordable and safe apartments, guesthouses, and dormitories that our models use and enjoy. When possible we set new models up together with those who've lived in the city for a while, which seems to help with the initial transition and also to cut costs. In any case, we do our best to make sure the model lives happily and comfortably. On certain contracts, Arts C provides a spending money allowance of 15,000 yen per week beginning after the model's second week in Tokyo. Although it is possible to live on this sum, it is rather challenging and not easily accomplished. All models must bring AT LEAST 50,000 yen (and a credit card if available) to cover their first two weeks costs and any further expenses they might incur. It's always better to be safe than sorry. For additional information on making the most of your time and money in Tokyo go to Helpful Links. 
And finally, here is something I've covered a number times already, but it can never ever be overstated. A professional attitude plays an extremely crucial role to the success of every model in Tokyo. The Japanese are very sensitive in regards to this matter. Before any booking is made, the client must feel absolutely confident with not only the model's ability to perform, but also comfortable with the model's character or demeanor in general. One can prove this "worth" through a strong portfolio and by making a lasting impression at castings. For more information on this subject, check out casting and portfolios in "The Biz" section. So, do you want to go? Do you think that you have what it takes? Contact me and let's give it a shot! |